National Repository of Grey Literature 8 records found  Search took 0.00 seconds. 
Experimental Software Musical Instrument Controlled by Change of Light Intensity
Laborová, Anna ; Rajmic, Pavel (referee) ; Dlouhý, Dan (advisor)
The goal of this document is to design and build an experimental software synthesizer Ljós using a light intensity as a trigger for changing the parameters. The instrument is programmed in the environment of Max/MSP and the controller is based on the platform of Arduino and made by 3D printer. An user is changing parameters of the synthesizer by using a light source, by its intensity.
Granular Synthesis in Music Production
Pečinka, Pavel ; Glembek, Ondřej (referee) ; Černocký, Jan (advisor)
Cílem této práce je navrhnout a vytvořit aplikaci pro granulární syntézu, využitelnou v hudbení produkci. Aplikace je implementována jako VST3 zásuvný modul s využitím frameworku JUCE a programovacího jazyka C++ a je schopná propojení s programy typu Digital Audio workstation, zkráceně DAW, což jsou programy sloužící jako centrální bod pro hudební producenty, kde mohou mimo jiné vytvářet nové zvuky, provádět mixování skladeb a vytvářet zvukové nahrávky. Tento zásuvný modul je navržen jako sampler a je schopen nahrát zvukový soubor obsahující audio data, která dále využívá pro další zpracování a následné přehrávání. Z vyhodnocení uživatelského testování vyplývá, že je tato aplikace použitelná pro hudební produkci jako nástroj pro granulární syntézu.
Experimental granular software with spatial setting
Pospíšil, Tomáš ; Dlouhý, Dan (referee) ; Indrák, Michal (advisor)
This thesis deals with a design and realization of the experimental software, which has the task to distribute the granular synthesis into surround sound, specifically into the octofonic sound system. The software is designed as a VST3 plugin, which was created in a JUCE framework. Apart of problematics mentioned above the thesis also contains theoretical and technical knowledge linked with granular synthesis, surround sound and a form of realization of a resulting software. The end of this thesis is dedicated to the testing phase and deficits of resulting software.
VST granular plugin with experimental input and output settings
Kalinič, Jan ; Dlouhý, Dan (referee) ; Indrák, Michal (advisor)
This thesis discusses the development of a plug-in module that is able to implement granular synthesis with help of experimental methods of parameter value settings. Graphic designs and schemes were created in the vector graphics editor Inkscape. The separate plug-in was programmed in C++ language using the JUCE framework and VST3 technology. With a use of this module, granular synthesis can be performed over a predetermined sample, but also over the stream of an audio channel of a digital audio station. The module also includes blocks with other types of sound synthesis, which can also be modified in experimental ways. Thanks to its properties, the plug-in can be applied as an effect over one sound channel in the mixing section of an audio station.
Experimental software synthesizer whose sound is created by transforming video file and controlled by a keyboard
Hromas, David ; Indrák, Michal (referee) ; Dlouhý, Dan (advisor)
This work deals with the creation of an experimental software musical instrument. The main goal is to create a musical instrument that will be able to use video data to create sound. The project is created in the visual programming language Max. The first part of the text discusses the theory needed to create such an instrument. The second part of the text is devoted to the design of individual parts of the instrument, the realization, and the musical possibilities of the instrument.
Granular Synthesis in Music Production
Pečinka, Pavel ; Glembek, Ondřej (referee) ; Černocký, Jan (advisor)
Cílem této práce je navrhnout a vytvořit aplikaci pro granulární syntézu, využitelnou v hudbení produkci. Aplikace je implementována jako VST3 zásuvný modul s využitím frameworku JUCE a programovacího jazyka C++ a je schopná propojení s programy typu Digital Audio workstation, zkráceně DAW, což jsou programy sloužící jako centrální bod pro hudební producenty, kde mohou mimo jiné vytvářet nové zvuky, provádět mixování skladeb a vytvářet zvukové nahrávky. Tento zásuvný modul je navržen jako sampler a je schopen nahrát zvukový soubor obsahující audio data, která dále využívá pro další zpracování a následné přehrávání. Z vyhodnocení uživatelského testování vyplývá, že je tato aplikace použitelná pro hudební produkci jako nástroj pro granulární syntézu.
Experimental Software Musical Instrument Controlled by Change of Light Intensity
Laborová, Anna ; Rajmic, Pavel (referee) ; Dlouhý, Dan (advisor)
The goal of this document is to design and build an experimental software synthesizer Ljós using a light intensity as a trigger for changing the parameters. The instrument is programmed in the environment of Max/MSP and the controller is based on the platform of Arduino and made by 3D printer. An user is changing parameters of the synthesizer by using a light source, by its intensity.
Granular synthesis and its application
Sklenář, André ; URBAN, Ondřej (advisor) ; GUŠTAR, Milan (referee)
This work amis to describe the principles behind granular synthesis, its development history and individual aspects of a granular synthesizer. It aims to familiarize a musician, composer or sound engineer with its details and consolidate the knowledge of a technically knowledgeable music technology user or developer. The work expects the reader to have a basic knowledge of sound physics and its digital representation, aswell as theoretical knowledge of software analysis. The work is divided into two parts. The first part addresses the theoretical properties of granular synthesis and its usage in music history and today. The second part represents a practical example of an application of granular synthesis in the form of a plug-in in several formats and examples of its usage.

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